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海寧當代藝術(shù)博物館 Haining museum of contemporary art

導讀提要:海寧藝術(shù)中心聯(lián)合了三種獨特的文化機構:海寧當代藝術(shù)博物館、中西部服裝部和"世界基座"(Socle du Monde)。新的藝術(shù)中心意在成為一個(gè)集視覺(jué)藝術(shù)和音樂(lè )于一體的全新平臺。博物館融合了景觀(guān)和建筑設計,為單層體量,功能項目涵蓋了永久性和臨時(shí)性展廳、含150 個(gè)座位的禮堂、音樂(lè )彩排室、餐廳、多媒體圖書(shū)館和行政辦公室。


項目名稱(chēng):海寧當代藝術(shù)博物館

項目地點(diǎn):丹麥 海寧

建筑師:斯蒂文 · 霍爾建筑師事務(wù)所

合作建筑師:Kjaer and Richter A/S

委托人:海寧藝術(shù)中心

建筑面積:5 600m2

項目功能:臨時(shí)性展館、含150 個(gè)座位的禮堂、音樂(lè )排練室、餐館、多媒體圖書(shū)館和行政辦公室

建筑時(shí)間:2007—2009 年

攝影:Iwan Baan,Steen Gyldendal,Susan Wides,Thomas Mayer,Thomas Moelvi


           海寧藝術(shù)中心聯(lián)合了三種獨特的文化機構:海寧當代藝術(shù)博物館、中西部服裝部和"世界基座"(Socle du Monde)。新的藝術(shù)中心意在成為一個(gè)集視覺(jué)藝術(shù)和音樂(lè )于一體的全新平臺。博物館融合了景觀(guān)和建筑設計,為單層體量,功能項目涵蓋了永久性和臨時(shí)性展廳、含150 個(gè)座位的禮堂、音樂(lè )彩排室、餐廳、多媒體圖書(shū)館和行政辦公室。


          海寧與紡織業(yè)的深厚淵源和皮耶羅·曼佐尼的大量原創(chuàng )藏品(共計46 件)是概念設計的主要靈感來(lái)源。博物館位于海寧最初的Angli 襯衫工廠(chǎng)附近,建筑建于20 世紀60 年代,類(lèi)似襯衫衣領(lǐng)外形,這一設計啟發(fā)了新的博物館建筑的形態(tài)。從上空看,屋頂的幾何形狀與覆蓋在畫(huà)廊空間上的襯衫袖子類(lèi)似:弧形屋頂將平衡的自然光線(xiàn)引入畫(huà)廊。自由布局的周邊空間為咖啡館禮堂、大廳和辦公室保留了空間。展覽空間可以輕松關(guān)閉,而所有的外圍空間依然開(kāi)放,供業(yè)余時(shí)間使用。為實(shí)現與建筑外部墻壁一樣的織物質(zhì)地,白色混凝土模架中植入了卡車(chē)篷布。


         畫(huà)廊空間正交對稱(chēng),滿(mǎn)足藝術(shù)需求,彎曲的屋頂使自然光線(xiàn)進(jìn)入室內。畫(huà)廊的圍墻為承重因素,成為博物館中的"財寶箱"。輕型結構的室內畫(huà)廊墻壁可以移動(dòng),保證了將來(lái)舉辦不同展覽的靈活性。統一的墨綠色混凝土地板保證了地面成為連續的銅綠色,以蠟裝飾。


         部分周邊景觀(guān)由屋頂的反曲線(xiàn)幾何形狀塑造而成。為了轉變平坦的場(chǎng)地, 一個(gè)新的40 000m2 的狹長(cháng)的景觀(guān)草堆和泳池遮蓋了停車(chē)和服務(wù)區,將視線(xiàn)焦點(diǎn)引入處于南側陽(yáng)光下的倒影池上。




Introduction: haining art center has combined three unique cultural institutions: haining museum of contemporary art, Midwest clothing department and "world base" (Socle du Monde). The new art center is intended to be a new platform for visual arts and music. Integrating landscape and architectural design, the museum is a single-storey volume that functions as a permanent and temporary exhibition hall, a 150-seat auditorium, a music rehearsal room, a restaurant, a multimedia library and administrative offices.
Project name: haining museum of contemporary art
Project location: henin, Denmark
Architect: Steven hall architects
Co-architects: Kjaer and Richter A/S
Client: haining art center
Building area: 5,600m2
Project features: temporary pavilion, 150-seat auditorium, music rehearsal room, restaurant, multimedia library and administrative office
Construction time: 2007-2009
Photography is by Iwan Baan, Steen Gyldendal, Susan Wides, Thomas Mayer, Thomas Moelvi
The haining art center brings together three unique cultural institutions: the haining museum of contemporary art, the central and western clothing department and the Socle du Monde. The new art center is intended to be a new platform for visual arts and music. Integrating landscape and architectural design, the museum is a single-storey volume that functions as a permanent and temporary exhibition hall, a 150-seat auditorium, a music rehearsal room, a restaurant, a multimedia library and administrative offices.
Haining's strong ties to the textile industry and piero manzoni's extensive original collection of 46 pieces are key inspirations for the concept. The museum is located near the original Angli shirt factory in haining. The building was built in the 1960s and resembles a shirt collar, which inspired the new form of the museum building. Seen from above, the geometry of the roof is similar to the shirt sleeves that cover the gallery space: the curved roof introduces balanced natural light into the gallery. The free-form surrounding Spaces are reserved for the cafe auditorium, lobby and offices. The exhibition space can be easily closed, while all the peripheral Spaces remain open for use in spare time. To achieve the same fabric texture as the external walls of the building, a truck tarpaulin is embedded in the white concrete formwork.
The gallery space is orthogonal and symmetrical to meet the artistic requirements, and the curving roof allows natural light to enter the interior. The walls of the gallery act as load-bearing elements and become "treasure boxes" in the museum. The lightweight structure of the interior gallery wall allows for movement, ensuring flexibility for future exhibitions. The uniform dark green concrete floor ensures that the floor becomes a continuous copper-green, decorated with wax.
Part of the surrounding landscape is shaped by the anti-curved geometry of the roof. To transform the flat site, a new 40 000m2 long and narrow landscaped haystack and pool covers the parking and service areas, bringing the focus to the reflecting pool on the south side under the sun.

        


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